255: The Man Who Killed Hitler and Then The Bigfoot [2018]

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And the Award for Greatest Film Title goes to…The Man Who Killed Hitler And The The Bigfoot from 2018. Rich loves all things Bigfoot, not so much Hitler, and he certainly loves insanely weird film names with hefty promises. Well, despite the extremely ‘B-Movie’ premise there is a lot of quality to it, but can this movie even possibly live up to all the promise of the title?

254: The Blues Brothers [1980] Movie Review

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We had to purge the memory of Dan Aykroyd’s turn in Nothing But Trouble last time on the podcast, so this time we turn to one of his most loved movie outings, The Blues Brothers. Despite it being one of Aykroyd’s and John Belushi’s famous movies, it still remains firmly a cult classic, even though it gave rise to the simplest Halloween costumes ever. We can see the flaws in the movie, but are they outweighed by the classic music, the ridiculous action and the cool comedy? Tune in to find out. HIT IT!

 

253: Nothing But Trouble [1991] Movie Review

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After watching the trailer for Dan Aykroyd’s only directing credit Nothing But Trouble, the Spoiler Filled Crew figured the film couldn’t possibly be as bad as the trailer made it look. And we were right! It was sooooooo much worse. Some of the crew can kinda see what he was going for, but all of them are still totally flummoxed by this insane miss-fire of a movie, whose “highlights” include; John Candy in drag, inconsistent cartoon logic, impractical booby traps, Chevy Chase on particularly obnoxious form, highly distracting, horrible make up effects and the most unexpected cameo from Digital Underground ever.

252: To Wong Foo, Thanks For Everything! Julie Newmar [1995] Movie Review

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We follow on with the theme of Girl Power from our previous episode in the most subversive way we could think of. That is to say we’re reviewing a film about men dressed as women. And if you think this looks like a cheap rip-off of Priscilla Queen of the Desert, then you’re not wrong, but certainly has a little unique charm of it’s own. Chosen mainly for it’s ridiculous title, Too Wong Foo, Thanks For Everything! Julie Newmar, features: a very convincing performance by Leguizamo, a very funny bar-room ramble from Chris Penn, an extremely brief cameo from Robin Williams in Birdcage mode and just plenty of faux feminine charm.